Posts tagged ‘latin american cinema’

Canana Bows Branded Content Division via @Variety_Film


canana logo latamfilmIn its latest growth move, Mexico City/L.A-based Canana, the leading Latino production-distribution house founded by Gael Garcia Bernal, Diego Luna and Pablo Cruz, has launched a branded content division.
The new operation will produce short films and web series that engage viewers, have a narrative component and enhance brand image, Luna said. Eric Bonniot, formerly at Quentin Tarantino’s A Band Apart, is coming on board as a partner and exec producer at the division. (more…)

15/11/2013 at 3:11 pm Leave a comment

DAY 2 @LondonMexFest: Programme Highlights (Films, Talks, Music…)


FILM:
Abel
2010 / Mexico / 35mm / Color / 82 min
Directed by Diego Luna
Sundance Film Festival (USA, 2010)
Mute Abel is no ordinary nine-year-old. He is coming home after spending time in a psychiatric facility, having reacted badly to his father’s disappearance two years earlier. Then suddenly Abel decides to speak again and alarmingly reinvents himself as the patriarch of the house. When his father suddenly reappears, however, the  a (more…)

18/08/2012 at 6:00 am Leave a comment

LATAM FILM is proud to introduce LATIN AMERICAN MOVIES DATABASE and LATAM FILM PORTAL your one stop for the Latin American Film Industry


Latam Film is proud to introduce Latin American Movies Database your directory and Latam Film Portal to review, promote and connect with the professional Latin American film community.

Latam Film has merge their experience in the world of marketing and promotion with the new technologies to offer you the bilingual Portal from which you will be able to:

– Create your own film portfolio as a independent filmmaker or distribution/sale company (more…)

16/05/2012 at 9:50 am Leave a comment

Alejandro A. Riera, of the Chicago Latino Film Festival, on giving Latin American cinema the respect it deserves


As we celebrate our third year with GFI, Global Lens Series Manager Jeremy Quist asked me to reflect on the state of Latin American film distribution in the United States. And the more I thought about the subject, I found myself asking: When will Latin American cinema get the respect it deserves?
Yes, our cinema has an illustrious history that dates back to the silent era and includes such high points as the Golden Age of Mexican Cinema; the rise of Brazil’s Cinema Novo movement in the 50s and 60s; the emergence of post-Revolutionary Cuban cinema in the 60s and 70s; and, more recently, what some critics describe as the “New Argentinean Cinema.” And yet, even when countries such as Ecuador, Bolivia and Venezuela — not exactly film production powerhouses — are coming out with powerfully moving visual (more…)

27/04/2012 at 10:18 am Leave a comment

Latino Film Series at LACMA: Contested Visions in Latin America Through Film (full programme)


A special program organized in conjunction with the exhibition Contested Visions in the Spanish Colonial World. Hosted by Edward James Olmos, actor, producer, director and community activist, and curated by Marlene Dermer, co-director of the Los Angeles Latino International Film Festival (LALIFF), this two-day film program, explores themes from the exhibition through (more…)

11/01/2012 at 11:01 am Leave a comment

OSCARS NOMINATIONS: 1 Argentinean makes it into the 10 animated shorts shortlist


The 10 animated short films, picked from the longlist of 44, which will advance in the voting stage are:
Dimanche/Sunday, dir Patrick Doyon, (National Film Board of Canada)
Luminaris, dir Juan Pablo Zaramella (JPZtudio) (more…)

08/12/2011 at 5:54 pm Leave a comment

How NYC Became a Capital of Latin American Film in a Decade


It’s hard to name a specific year as the launching-point of the renaissance that Latin American cinema has experienced over the past decade. What is hardly debatable, however, is the significant increase in exposure and presence that the cinema from that region has accomplished in such a time-span. The last ten years have proved to be tremendously influential for Latin American films and the people who make them, providing opportunities that were unimaginable a generation before. Previously hindered by an imposing multitude of production difficulties, the films that were able to get made would face the near impossible task of finding screens at home and abroad. This is hardly the case today, and New (more…)

02/06/2011 at 6:30 pm Leave a comment

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