Posts tagged ‘Fernando Meirelles’
The third edition of the Brazilian Film Festival of London is coming to town and Sounds and Colours will once again be supporting the festival. Taking place from Tuesday 6th September, with an Opening Gala Night at BAFTA and ending on the night of Saturday 10th September at Odeon Covent Garden, the festival will show 10 feature length and 9 short films from Brazil (all with English subtitiles).
All films will be shown at Odeon Covent Garden, except for Man From The Future on the Opening Night, which will be at BAFTA.
One of the films we really can’t wait to see is Filhos de João, O Admirável Mundo Novo Baiano, now going by the much more English title of Sons of Joao, the Admirable New Baiano World, which tells the story of (more…)
“Latin American cinema has reinvented itself once again” said Carlos Gutierrez, co-founding director of Cinema Tropical. Throughout the last ten years, Latin American filmmakers have established themselves as ambitious and clearly discernable voices in the cinematographic landscape.
This was the reason, according to Gutierrez, for bringing to life the first ever Cinema Tropical AWARDS that will be presented today at the TimesCenter in New York City. The presentation will honor ten distinguished film productions from the region.
Gutiérrez believes this is truly an exciting moment for Latin American cinema. An extensive list of young filmmakers has emerged from and gained international acclaim for their diverse, artistic, and innovative work. New York based Cinema Tropical—an established purveyor of Latin American cinema—hopes this cutting edge event will have international impact and will help draw even more attention to the creative output from Latin America.
This October, Cinema Tropical has organized a series of events celebrating Latin American cinema that kicked off last week with an insightful panel discussion with Chilean director Sebastián Silva (The Maid). It also includes the publication of a book of essays about the nominated films, a product of a special partnership between Cinema Tropical and Jorge Pinto Books.
The highlight of the ten-day program will be tonight’s AWARDS ceremony, with Triple nominated Lucrecia Martel from Argentina and Mexican director Carlos Reygadas to attend. (more…)
The words “blockbuster,” “Oscar,” and “sold out” don’t always enter into the genre of foreign film. But they did in Latin American movie-making in the last decade. Two films starring Mexican heart throb Gael García Bernal—the 2000 thriller Amores Perros and the 2001 romp about a romantic road trip, Y Tu Mamá También—raked in millions in their first weeks on the screen. City of God, the 2002 Brazilian film from directorial duo Fernando Meirelles and Kátia Lund, received four Academy Award nominations and had a later life as a TV show. Guillermo del Toro’s El laberinto del fauno (Pan’s Labyrinth), which looks at Spanish fascism through a magic realism lense, got three Oscars for his film in 2007. (more…)
This ground-level report on gang life in the slums of Rio de Janeiro exploded with thrilling and terrible force. An electrifying piece of cinema packed full of visual invention and dazzling set-pieces, it owes a debt to Martin Scorsese’s Goodfellas and audaciously pays it off. Though it unfolds at an exhilarating pace and crackles with danger, the film never allows itself to become seduced by the abundant violence of favela life. Instead, it keeps its lens trained on the attendant horrors, which mount up as the narrative jumps forward in time. What is most horrifying of all is how those caught up in the violence – victims and perpetrators alike – keep getting younger and younger.
The Inffinito Festival Circuit has, for 15 years now, taken the best of the Brazilian cinema to Vancouver, Miami, New York, Buenos Aires, Montevideo, Rome, Madrid and Barcelona. It will arrive in London for the 2nd BRAZILIAN FILM FESTIVAL between the 1st and 5th September.
The Brazilian Film Festival’s main purpose is to create incentives that promote new opportunities for business and strengthen partnerships for co-production between the British and Brazilian (more…)
City of God
A sprawling, spellbinding chronicle of a Rio favela under the thumb of heavily armed drug gangs.
2 Aug 18:15
8 Aug 20:30
In recent years, a significant number of fiction films produced in Latin America deal explicitly with inequality. Some of La Villa del Cine productions such as La clase display an explicit social message and a realist mode which contrast, on the one hand with the sophisticated aesthetics and sometimes metaphorical style of some of the most well-known third cinema fiction of the 1960s and 1970s; on the other, with classic realist films like Rodrigo D No Future (Víctor Gaviria, Colombia, 1990) or City of God (Fernando Meirelles, Brazil, 2002). The “realist mode with a message” also characterizes other films produced in countries across Latin America like Redentor (Claudio Torres, Brazil, 2004), La zona (Rodrigo Plá, Mexico, 2007) and Era uma vez (Breno Silveira, Brazil, 2008), to name just a few. (more…)