Posts tagged ‘Carancho’
As an independent film producer of Argentinian cinema for almost ten years, Martina Gusman attended Cannes as an actress in 2008 in Leonera, a film by Pablo Trapero which was presented In Competition. She returned as a director in 2010 with Carancho, selected for Un Certain Regard. Now, one year later, she is back as a member of the Feature Film Jury.
You are joining Robert De Niro in the Feature Film Jury. Does being a member of this particular jury have any special meaning for you ? (more…)
Cine Las Americas is pleased to announce the first in a series of screenings for the “Cine Las Americas Signature Series” at the Alamo Drafthouse. This series will feature regular advance premieres of the greatest Spanish and Portuguese language releases, bringing to Austin audiences some of the newest and greatest titles all year round.
a film by Pablo Trapero
Argentina / Chile / France / South Korea
107 minutes , 35mm, Color
Starring Ricardo Darín, Martina Gusman, Carlos Weber,
Jose Luis Arias, Fabio Ronzano
Sosa (Ricardo Darín, THE SECRET IN THEIR EYES) is an ambulance-chasing personal injury attorney with questionable ethics. Lujan (Martina Gusman, LION’S DEN) is a young, idealistic country (more…)
The Wexner Center for the Arts is hosting Cinema Latino this month. The annual series spotlights Latin American filmmaking by showing some of the most popular films of the year as well as some classics.
All films are shown in Spanish with English subtitles. Countries with films being presented include Mexico, Argentina and Colombia.
Chris Stults, the associate curator of film and video at the Wexner Center, said selecting the films to show can be difficult because there are so many films to choose from.
“We try hard to present a nice variety of films in terms of theme and country represented,” he said.
The Center for Latin American Studies and the Department of Spanish (more…)
October 30, 2010, 8 p.m.
An ambulance-chasing lawyer named Sosa (Ricardo Darín) and a twenty-something emergency room doctor, Luján (Martina Gusman), meet among the twisted carnage of a car crash. He’s caught up in shady insurance schemes but anxious to find a way to come clean; she’s ambitious and capable, but takes the edge off of sleep deprivation and adrenaline jitters with a regular fix. In Pablo Trapero‘s electrifying thriller neither conscience nor love comes without cost, and corruption casts an omnipresent shadow. Upon its debut at the 2010 Cannes Film Festival, Twitch’s Todd Brown wrote, ”Trapero serves notice here that he is one of the very best (more…)
With so few features from outside of the United States and Europe securing a theatrical release in this country, it is vital that festivals continue to showcase pictures from Latin America, Asia and Africa. No British event is as committed to world cinema as the BFI London Film Festival and the 54th selection is typically diverse and distinguished.
From Quebec to Patagonia, the contribution from the Americas is particularly strong this year, with Xavier Dolan’s Heartbeats confirming the good impression that he made at the tender age of 21 with How I Killed My Mother (2009). Indeed, he also takes the lead in this Montreal variation on François Truffaut’s Jules et Jim (1961), as he competes with gal pal Monia Chokri for the affections of new-in-town Niels Schneider. Seething with catty lines and camply hip visuals that owe as much to Wong Kar-wai, François Ozon and Christophe Honoré as the nouvelle vague, this achingly stylish paean to unrequited lust peppers the action with vox pops to emphasise its dramatic points. However, it’s the fond rivalry between Dolan and Chokri (that eventually brings them to blows during a stay in the (more…)
AFI has announced their complete lineup for the 2010 AFI Latin American Film Festival in Silver Spring, MD.
The fest will open on September 21 with “Revolution,” a shorts compilation commissioned by Gael García Bernal, Diego Luna and Pablo Cruz, featuring some of Mexico’s leading contemporary directors (among them, Fernando Eimbcke, Carlos Reygadas, Rodrigo Garcia, Bernal, and Luna) exploring themes and stories inspired by the Mexican Revolution, in honor of its 100th anniversary.
The festival will close on October 13 with “October,” Daniel and Diego Vega Vidal’s film that won the Jury Prize in the 2010 Canne Film Festival’s Un Certain Regard section. “October” follows Clemente, a moneylender, who enters his office to find a baby girl in a basket. He must search among the prostitutes he frequents to find the baby’s mother, as his neighbor looks after the baby and his office. (more…)